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Headlines
Human-Centric Design Critical for Data Centre Operations, Resilience | The Economic Times, 20 aug 2026
Course design for a new age | Times Higher Education, 20 aug 2026
uncovering furniture and interior concepts that prioritize identity over uniformity | Designboom, 20 aug 2026
Creating innovations that scale across borders | MIT News, 19 aug 2026
Crossing Grounds: Art, Design, & Technology | ArchDaily, 19 aug 2026
Human-centric washroom design starts with the senses | The Architect's Paper, 19 aug 2026
Email Design Trends for 2026 | Designmodo, 18 aug 2026
Researcher is trying to save biodiverse landscapes, one unkempt garden at a time | Phys.org, 17 aug 2026
Why every web page now needs to work like a homepage | Creative Bloq, 01 aug 2026
Why Fashion Design Is One of the Most Future-Proof Creative Careers in India Right Now? | ThePrint, 28 jul 2026
How Web Design Creates Competitive Advantage In High-Stakes B2B | Forbes, 11 may 2026
Advancements in sustainable textiles: electrospinning through the lens of textile design | Frontiers, 04 may 2026
June 2019
Mohammad Anas Wahaj | 26 jun 2019
Creativity is at the core of art and design. They both are visual and material culmination of varied degrees of human expression. Vibhor Sogani, fusing the lines between design and art, between being a product designer and public installation artist, says, 'At the end of the day, it is all about creativity. People may deem art superior to design but designing is serious business and a very responsible job.' He explains the value of public art for the growth-oriented country like India, 'Since India has so many people and so many public spaces, it is an ideal ground for engaging with them through art. The all-important ingredient of public art is engagement with people.' On balancing creativity and guidelines in commissioned projects, he says, 'We all need a sense of direction. After all, you need to align yourself with something. I think the brief given to me by my client is only a starting point. Thereafter, I am free to follow my vision.' An alumnus of National Institute of Design (Ahmedabad, India) and having worked in the field of industrial design, he is well-versed in the craft of materials as well as technology. He follows both reactive and proactive approaches to pursue his creative work. He suggests that while thinking of an idea is instant, putting it into a tangible shape of art is slow and time consuming. His public art works include Joy in Dubai, Sprouts in New Delhi and Kalpavriksha in Ahmedabad. Read on...
The Tribune:
Blurring the line between art and design
Author:
Nonika Singh
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