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Headlines
Ten design projects from a burgeoning generation of Japanese designers | Dezeen, 10 jan 2025
'AI can optimise designs, but it cannot replicate human ingenuity': Nien Siao on juggling technology and creativity | The Economic Times, 10 jan 2025
Why Studying Design Matters in a Creative World TechBullion, 10 jan 2025
Will GenAI Replace Fashion Designers? | WWD, 10 jan 2025
Alessandro Stabile's ethical and elegant innovations | DesignWanted, 09 jan 2025
Is Uzbekistan the next great architectural destination? | CNN, 08 jan 2025
'The people who succeed are the ones who are curious': graphic designer and Honorary RDI Michael Bierut | Wallpaper, 08 jan 2025
Design That Feels: Merging sustainability with sensory experiences in packaging | Creative Boom, 07 jan 2025
Stainless Steel in Interior Design: Transforming Spaces with Industrial Elegance | ArchDaily, 06 jan 2025
Demystifying The Technology Vs. Design Debate In Web Design | Forbes, 18 dec 2025
March 2023
Mohammad Anas Wahaj | 09 mar 2023
In the world of graphic design, computers and softwares are essential tools and it is hard to imagine a creative work without them. But a hand-drawn design work by Prof. Nick Mendoza of the Oklahoma State University (OSU, USA) was selected in the 365: AIGA Year in Design competition in December. The 365: AIGA Year in Design competition, started in 1924, serves as a platform for designers, design teams and their clients to share design solutions for business and organizational challenges. Prof. Mendoza's work 'OSU Design Lecture 2021' was a poster that was created to promote visiting designer Mike Daines' guest lecture and included elements of his designs and a visual journey to the event. Prof. Mendoza says, 'As a design educator, I am humbled to know that my work is shown next to big time design studios with big time budgets; I created my design with paper, scissors and a marker.' Prof. Ting Wang-Hedges of OSU says, 'Having your work awarded from AIGA, especially winning the 365: AIGA Year in Design competition, means your work competes with other design works from renowned designers and studios.' Competition juror Clement Mok says, '[It's] an ode to hand-drawn letters. Wonderfully old-school, yet it feels very contemporary and personal. The letter scrawls are meticulously planned for legibility.' Prof. Mendoza teaches typgraphy, an art and study of arranging type to convey a message and make language legible. Prof. Pouya Jahanshahi of OSU says, '...he guides his students to mobilize principles of layout, composition, psychology and communication to produce powerful artifacts of graphic design - whether the outcome is a poster, book cover or comprehensive branding campaign.' Read on...
OSU News and Media:
Graphic design professor's work recognized in international design competition
Authors:
Erin Milek, Elizabeth Gosney
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