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Headlines
10 plant whisperers in India who make design green | Architectural Digest, 12 nov 2024
Embracing flexibility: Transitioning to a more adaptable design system | VentureBeat, 12 nov 2024
3 Questions: Inverting the problem of design MIT News, 12 nov 2024
Building Resilient Architecture for Extreme Cold: BIOSIS’s Climate-Driven Design | ArchDaily, 12 nov 2024
Finding the Sweet Spot Between Fashion, Design and Food | WWD, 12 nov 2024
Design studios reveals what got them energised and excited about 2025 | Creative Boom, 11 nov 2024
AR Tools for Real Estate and Architecture | Analytics Insight, 11 nov 2024
BEST DESIGN APPS FOR THE CREATIVE INDUSTRY | Yanko Design, 10 nov 2024
Why the future of product design is all about how it feels | Fast Company, 07 nov 2024
Raymond Loewy: American industrial designer | Britannica, 01 nov 2024
March 2023
Mohammad Anas Wahaj | 09 mar 2023
In the world of graphic design, computers and softwares are essential tools and it is hard to imagine a creative work without them. But a hand-drawn design work by Prof. Nick Mendoza of the Oklahoma State University (OSU, USA) was selected in the 365: AIGA Year in Design competition in December. The 365: AIGA Year in Design competition, started in 1924, serves as a platform for designers, design teams and their clients to share design solutions for business and organizational challenges. Prof. Mendoza's work 'OSU Design Lecture 2021' was a poster that was created to promote visiting designer Mike Daines' guest lecture and included elements of his designs and a visual journey to the event. Prof. Mendoza says, 'As a design educator, I am humbled to know that my work is shown next to big time design studios with big time budgets; I created my design with paper, scissors and a marker.' Prof. Ting Wang-Hedges of OSU says, 'Having your work awarded from AIGA, especially winning the 365: AIGA Year in Design competition, means your work competes with other design works from renowned designers and studios.' Competition juror Clement Mok says, '[It's] an ode to hand-drawn letters. Wonderfully old-school, yet it feels very contemporary and personal. The letter scrawls are meticulously planned for legibility.' Prof. Mendoza teaches typgraphy, an art and study of arranging type to convey a message and make language legible. Prof. Pouya Jahanshahi of OSU says, '...he guides his students to mobilize principles of layout, composition, psychology and communication to produce powerful artifacts of graphic design - whether the outcome is a poster, book cover or comprehensive branding campaign.' Read on...
OSU News and Media:
Graphic design professor's work recognized in international design competition
Authors:
Erin Milek, Elizabeth Gosney
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